Horace Lundd was born from a reflection around the figure of the artist which began during his

studies at the Haute Ecole des Arts du Rhin in Strasbourg.

It is within the group No Name, which evaluates the interactions between art, science and society,

that his work has begun.

His research has been presented twice at the FRAC d'Alsace, and more

recently at the Manifesta13 biennial in Marseille, in europe at the Operadagen- Festival of new operatic forms in Rotterdam (NL), as well as internationally at the MITsp-

Mostra Internacional de Teatro de São Paulo (BR), at FIBA- Festival Internacional de

Buenos Aires (AR), at the Santiago a Mil Festival (CL) or even in India at Karnataka, at

Kerala and Manipur (IN).
 

Horace Lundd lives and works between Marseille (FR) and Chandolin (CH).

His research territory is rooted in sensory experience, consciousness and elevation.

He explores the space of the in-between, of crossings, of time, of perception and generally unfolds in the form of installations composed of different mediums. Queer and anti-colonial theories hold a central place in her research on questions of transmission, embodiment and the possibility of transgressive spaces.

Horace Lundd regularly collaborates with artists, musiciangborns/composergrice,

directorgits on stage, scientists, anthropologists, local communities (...) evolving in a trans-disciplinary and trans-territorial universe.

His work builds poetic evocations maintained by effective tensions and

ambivalent animated by vibratory presences.

An approach that willingly looks towards the spiritual and opens towards the promise of un elsewhere, reveals a new possible

- in balance.